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tadalafil cure 0, tadalafil 40,0″>Find Love – Clem Snide, buy viagra Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Head Full of Steam – Go-Betweens, search Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

blow it out, the features.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.


tadalafil cure 0, tadalafil 40,0″>Find Love – Clem Snide, buy viagra Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Head Full of Steam – Go-Betweens, search Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

blow it out, the features.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.


viagra usa advice 0, sildenafil here 40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

nothing at all, shins.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.


tadalafil cure 0, tadalafil 40,0″>Find Love – Clem Snide, buy viagra Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Head Full of Steam – Go-Betweens, search Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

blow it out, the features.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.


viagra usa advice 0, sildenafil here 40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

nothing at all, shins.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.


cialis buy pills 0,40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Killer in Me, Amy Speace, YouTube – Amy Speace “The Killer In Me”

Best Support Actress, One for the Team.

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.

Just Like A Dream cover, Damion Suomi and David Fountain


tadalafil cure 0, tadalafil 40,0″>Find Love – Clem Snide, buy viagra Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Head Full of Steam – Go-Betweens, search Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

blow it out, the features.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.


viagra usa advice 0, sildenafil here 40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

nothing at all, shins.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.


cialis buy pills 0,40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Killer in Me, Amy Speace, YouTube – Amy Speace “The Killer In Me”

Best Support Actress, One for the Team.

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.

Just Like A Dream cover, Damion Suomi and David Fountain



Jamie Lidell, viagra sale diagnosis primarily known for electronica/techno, buy viagra no rx surprised everyone by releasing Multiply, cialis a R&B-inflected album in 2005.  Naturally, he was tagged with the obligatory “blue-eyed soul” label and automatically tossed in to the neo-soul pool.  Forget labels and just listen to Multiply and his 2008 follow-up album, JIM, and you’ll agree that he is one of the finest purveyors of soulful music that even Stevie, Otis and, dare I say, Sam would be proud of.  That’s right – I went there!

Now, those of you that appreciate the hint of electronica Lidell weaved into the mostly R&B album in Multiply may be asking, What about Jamiroquai?  Didn’t he combine dance/dj music with R&B long before Lidell?  Why yes, he did, but there’s one major difference – Lidell is talented.  Ouch.

I’ll admit that such high praise for Lidell is somewhat mitigated by low expectations – a result of long-held contempt and disgust for virtually all Top 40 R&B/Soul since, oh, 1982 or so.  The absurdly awful state of the genre began to suck just a little less with the Miseducation of Lauryn Hill in the late 1990s and the resulting neo-soul bandwagon.  While I’m not sure how long a typical musical bandwagon lasts, I do know that in 2008 three of my favorite albums were Lidell’s JIM, Raphael Saadiq’s The Way I See It, and James Hunter’s The Hard Way (is it odd that two of the three are white Brits?)

Here’s the title track from Multiply,

Multiply, Jamie Lidell.

(A track from Lidell’s JIM album leads off a mix I made for Amanda last year; I’ll add the mix online soon.)

tadalafil cure 0, tadalafil 40,0″>Find Love – Clem Snide, buy viagra Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Head Full of Steam – Go-Betweens, search Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

blow it out, the features.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.


viagra usa advice 0, sildenafil here 40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

nothing at all, shins.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.


cialis buy pills 0,40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Killer in Me, Amy Speace, YouTube – Amy Speace “The Killer In Me”

Best Support Actress, One for the Team.

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.

Just Like A Dream cover, Damion Suomi and David Fountain



Jamie Lidell, viagra sale diagnosis primarily known for electronica/techno, buy viagra no rx surprised everyone by releasing Multiply, cialis a R&B-inflected album in 2005.  Naturally, he was tagged with the obligatory “blue-eyed soul” label and automatically tossed in to the neo-soul pool.  Forget labels and just listen to Multiply and his 2008 follow-up album, JIM, and you’ll agree that he is one of the finest purveyors of soulful music that even Stevie, Otis and, dare I say, Sam would be proud of.  That’s right – I went there!

Now, those of you that appreciate the hint of electronica Lidell weaved into the mostly R&B album in Multiply may be asking, What about Jamiroquai?  Didn’t he combine dance/dj music with R&B long before Lidell?  Why yes, he did, but there’s one major difference – Lidell is talented.  Ouch.

I’ll admit that such high praise for Lidell is somewhat mitigated by low expectations – a result of long-held contempt and disgust for virtually all Top 40 R&B/Soul since, oh, 1982 or so.  The absurdly awful state of the genre began to suck just a little less with the Miseducation of Lauryn Hill in the late 1990s and the resulting neo-soul bandwagon.  While I’m not sure how long a typical musical bandwagon lasts, I do know that in 2008 three of my favorite albums were Lidell’s JIM, Raphael Saadiq’s The Way I See It, and James Hunter’s The Hard Way (is it odd that two of the three are white Brits?)

Here’s the title track from Multiply,

Multiply, Jamie Lidell.

(A track from Lidell’s JIM album leads off a mix I made for Amanda last year; I’ll add the mix online soon.)

Do I want my loved ones to listen to happy, viagra sales viagra joyful songs to fight off deep sadness?? Hell, try no! I want them to listen to somber, depressing and melancholic songs! But…they’re all beautifully somber, depressing and melancholic songs. Lyrically, they’re not all about death, but each one of them evokes something.

Several of these songs I’ve used on multiple mixes over the past 20 years. I wonder what came first, my affinity for these songs and therefore their place in any mix I make, or my affinity for songs that evoke death/sadness/etc. Shouldn’t that be what songs do – evoke?

Ave Maria, .
Keep Me In Your Heart, Warren Zevon.
Funny How Time Slips Away, W.C. Clark.
Fields of Gold, Eva Cassidy.
Drown In My Own Tears, Ray Charles.
Father and Son, Cat Stevens.
Tank Park Salute, Billy Bragg.
Love Letter, Nick Cave.
Angel, Sarah McLachlan.
Spirit in the Sky, Norman Greenbaum.
The Sad Cafe, The Eagles.
There is a light that never goes out, The Smiths.
America, Simon & Garfunkel.
A Change Is Gonna Come, Sam Cooke.
Rain, Patty Griffin.
Don’t Let Me Down, The Stereophonics.
Sea of Love, Cat Power.
Orange Sky, Alexi Murdoch.
Je Pense a Toi, Amadou & Mariam.
In My Time of Dying, The Be Good Tanyas.
God Only Knows, The Beach Boys.
Don’t Worry Baby, The Beach Boys.
In My Life, The Beatles.
There Will Be A Light, Ben Harper & The Blind Boys of Alabama.
You Can’t Always Get What You Want, Billy Morrissey & Greg Brown.
Tomorrow Is Today, Billy Joel.
Summer, Highland Falls, Billy Joel.
Simple Twist of Fate, Bob Dylan.
Shooting Star, Bob Dylan.
Sweet Old World, Lucinda Williams.
Goodbye, Emmylou Harris.
I Am Blessed, Eric Bibb.
Don’t Ever Let Nobody Drag You Down, Eric Bibb,
Give Me Strength, Eric Clapton.
All Things Must Pass, George Harrison.
Our Town, Iris DeMent.
Fire and Rain, James Taylor.
Don’t Look Back, John Lee Hooker & Van Morrison.
Family Reserve, Lyle Lovett.
Will the Circle Be Unbroken, Neville Brothers.
Things Behind The Sun, Nick Drake.
Here Comes The Sun, Nina Simone.
Nightswimming, R.E.M.


tadalafil cure 0, tadalafil 40,0″>Find Love – Clem Snide, buy viagra Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Head Full of Steam – Go-Betweens, search Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

blow it out, the features.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.


viagra usa advice 0, sildenafil here 40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

nothing at all, shins.

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.


cialis buy pills 0,40,0″ width=”380″>Find Love – Clem Snide, Soft Spot

Prismatic Room – Crystal Stilts, Alight of Night

Listen I Want You to Know – Dinosaur, Jr, Farm

Head Full of Steam – Go-Betweens, Liberty Belle and the Black Diamond Express (80s jangle, Smiths, Sundays, Australian R.E.M.)

Strange Fruit – Billie Holliday and Jeff Buckley (of course, different weight when Jeff sings it)

Palm Wine Boys, http://www.wildplum.org/CDs/WP_04126

Killer in Me, Amy Speace, YouTube – Amy Speace “The Killer In Me”

Best Support Actress, One for the Team.

Janglin, Edward Sharpe. frolic in the meadow.

More of This, Vetiver.

Just Like A Dream cover, Damion Suomi and David Fountain



Jamie Lidell, viagra sale diagnosis primarily known for electronica/techno, buy viagra no rx surprised everyone by releasing Multiply, cialis a R&B-inflected album in 2005.  Naturally, he was tagged with the obligatory “blue-eyed soul” label and automatically tossed in to the neo-soul pool.  Forget labels and just listen to Multiply and his 2008 follow-up album, JIM, and you’ll agree that he is one of the finest purveyors of soulful music that even Stevie, Otis and, dare I say, Sam would be proud of.  That’s right – I went there!

Now, those of you that appreciate the hint of electronica Lidell weaved into the mostly R&B album in Multiply may be asking, What about Jamiroquai?  Didn’t he combine dance/dj music with R&B long before Lidell?  Why yes, he did, but there’s one major difference – Lidell is talented.  Ouch.

I’ll admit that such high praise for Lidell is somewhat mitigated by low expectations – a result of long-held contempt and disgust for virtually all Top 40 R&B/Soul since, oh, 1982 or so.  The absurdly awful state of the genre began to suck just a little less with the Miseducation of Lauryn Hill in the late 1990s and the resulting neo-soul bandwagon.  While I’m not sure how long a typical musical bandwagon lasts, I do know that in 2008 three of my favorite albums were Lidell’s JIM, Raphael Saadiq’s The Way I See It, and James Hunter’s The Hard Way (is it odd that two of the three are white Brits?)

Here’s the title track from Multiply,

Multiply, Jamie Lidell.

(A track from Lidell’s JIM album leads off a mix I made for Amanda last year; I’ll add the mix online soon.)

Do I want my loved ones to listen to happy, viagra sales viagra joyful songs to fight off deep sadness?? Hell, try no! I want them to listen to somber, depressing and melancholic songs! But…they’re all beautifully somber, depressing and melancholic songs. Lyrically, they’re not all about death, but each one of them evokes something.

Several of these songs I’ve used on multiple mixes over the past 20 years. I wonder what came first, my affinity for these songs and therefore their place in any mix I make, or my affinity for songs that evoke death/sadness/etc. Shouldn’t that be what songs do – evoke?

Ave Maria, .
Keep Me In Your Heart, Warren Zevon.
Funny How Time Slips Away, W.C. Clark.
Fields of Gold, Eva Cassidy.
Drown In My Own Tears, Ray Charles.
Father and Son, Cat Stevens.
Tank Park Salute, Billy Bragg.
Love Letter, Nick Cave.
Angel, Sarah McLachlan.
Spirit in the Sky, Norman Greenbaum.
The Sad Cafe, The Eagles.
There is a light that never goes out, The Smiths.
America, Simon & Garfunkel.
A Change Is Gonna Come, Sam Cooke.
Rain, Patty Griffin.
Don’t Let Me Down, The Stereophonics.
Sea of Love, Cat Power.
Orange Sky, Alexi Murdoch.
Je Pense a Toi, Amadou & Mariam.
In My Time of Dying, The Be Good Tanyas.
God Only Knows, The Beach Boys.
Don’t Worry Baby, The Beach Boys.
In My Life, The Beatles.
There Will Be A Light, Ben Harper & The Blind Boys of Alabama.
You Can’t Always Get What You Want, Billy Morrissey & Greg Brown.
Tomorrow Is Today, Billy Joel.
Summer, Highland Falls, Billy Joel.
Simple Twist of Fate, Bob Dylan.
Shooting Star, Bob Dylan.
Sweet Old World, Lucinda Williams.
Goodbye, Emmylou Harris.
I Am Blessed, Eric Bibb.
Don’t Ever Let Nobody Drag You Down, Eric Bibb,
Give Me Strength, Eric Clapton.
All Things Must Pass, George Harrison.
Our Town, Iris DeMent.
Fire and Rain, James Taylor.
Don’t Look Back, John Lee Hooker & Van Morrison.
Family Reserve, Lyle Lovett.
Will the Circle Be Unbroken, Neville Brothers.
Things Behind The Sun, Nick Drake.
Here Comes The Sun, Nina Simone.
Nightswimming, R.E.M.


Oy.  I have a stack of new records and CDs begging to be spun, cialis sale buy viagra an unimaginable number of hours ahead of me before I can begin to even think about tagging my digital collection, malady and a long list of mixes to make for Amanda who’s growing impatient. Oh what was it she said to me recently…oh yeah, “Where the hell are my mixes?!? Don’t hit that pedestrian! And seriously, what’s up with Jung’s Collective Unconscious and why does he think he can get away with conflating the biological subconscious with the psychic unconscious – who does he think he is??”

Ok, I may have embellished a little. I think she actually said, “Honey, how’s it going on the mixes?”. Whatever, same diff.

So…anyway, I’ve been on an 80s kick for the past few months. It’s rather embarrassing to discover how little I actually knew about bands from the 80s. Thank goodness it’s never too late to discover and rediscover great music. I’m still immersed in it and don’t want to write about it yet, but in the meanwhile, check out this video of Damion Suomi and David Fountain covering The Cure’s “Just Like Heaven”, originally from the 1987 album, Kiss Me, Kiss Me, Kiss Me. It’s a joy to watch musicians who clearly love performing.


And really, you gotta love the mandolin, right??

Great cover.  Here’s another,

Just Like Heaven, The Watson Twins.  The harmonica is a cool and unexpected counterpoint to the Twins’ ethereal vocal harmonies.


Posted in Covers, Music and Life.